By imminent decline of contemporary worship music, I do not mean imminent disappearance. Commercial forces have too substantial an interest to permit contemporary worship music to disappear entirely; and human beings are creatures of habit who do not adapt to change quickly. I do not predict, therefore, a disappearance of contemporary worship music, sooner or later. Already, however, I observe its decline. Several years ago (2011) Mark Moring interviewed me for Christianity Today, and in our follow-up communications, he indicated that he thought the zenith of contemporary worship music had already happened, and that the movement was already in the direction of traditional hymnody. He did not make any claims about the ratio of contemporary worship music to traditional hymns; he merely observed that whatever the ratio was, the see-saw was now moving, albeit slowly, towards traditional hymnody. If the ratio of contemporary-to-traditional was rising twenty years ago, it is falling now; the ratio is now in decline, and I suspect that decline will continue for the foreseeable future. What follows is a painfully abbreviated list of eight reasons why I think this change is happening. More . . .
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